mhr

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	Myndhöggvarafélagið í Reykjavík&#38;nbsp;Stofnað 1972


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Reykjavik Association of Sculptors
Since 1972
Nýlendugata 15
101 Reykjavík
Ísland


Um / About Stjórn / Board&#38;nbsp; &#38;nbsp;

Verkstæðin / Workshops
Menningarsjóður Hallsteins Sigurðssonar / Culture Fund of Hallsteinn SigurdssonHjólið / The Wheel 


Félagatal / Members&#38;nbsp;


Höggmyndagarðurinn / The Sculpture Garden&#38;nbsp;

Vinnustofur / Studios

Heiðursfélagar / Honorary fellows
Umsókn / Application


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Fréttir/ News&#38;nbsp;


Greinar / Article&#38;nbsp;


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		<title>höggmyndagarðurinn / the sculpture garden</title>
				
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	SÝNINGAR FRAMMUNDAN / 
FUTURE EXHIBITIONS &#38;nbsp;
YFIRSTAÐNAR SÝNINGAR&#38;nbsp; / 
PAST EXHIBITIONS&#38;nbsp;

︎


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Nýlendugötu 17a í miðbæ Reykjavíkur &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 
︎&#38;nbsp; hoggmyndagardurinn(at)gmail.com

NÚNA / NOW&#38;nbsp;
Haldreipi og vangaveltur um eilífðina
Lifeline and Reflections on Infinity
Opnun 19.09.2026 kl 15:00&#38;nbsp;
19. september - 19. nóvember 2026Kristín Reynisdóttir


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Verið hjartanlega velkomin á opnun einkasýningarinnar “Haldreipi og vangaveltur um eilífðina” þann 19 september kl 15:00 eftir Kristínu Reynisdóttur í Höggmyndagarðinum þar sem hún varpar fram hugrenningum um formið og eilífðina.Kristín vinnur gjarnan verk sín með tilliti til þess umhverfis sem þau eru sett fram í. Innsetningar hennar eiga í samtali við umhverfi sitt, en velta jafnframt upp sammannlegum þáttum með vísunum í upplifanir og tilfinningar. 
Í verkinu veltir Kristín fyrir sér tengslum forms og tákna, gróðurs og eilífðar. Hið áþreifanlega; jörðin, fræið, gróðurinn og formið, verður haldreipi gagnvart því sem hugurinn fær ekki höndlað. Eilífðin er huglæg og það sem hugurinn reynir að skilja, en haldreipið tengir okkur aftur við hið áþreifanlega. Sýningin hverfist um eilífðarhugtakið sem erfitt er að ná utan um. Hugurinn á erfitt með að skilja tíma sem á sér hvorki upphaf né endi. Er eilífðin lína sem teygir sig út í hið óendanlega eða hringrás þar sem eitthvað verður til, hverfur og verður aftur að upphafi? 
Andspænis hinu óendanlega þurfum við haldreipi - eitthvað til að halda í sem tengir okkur við jörðina og augnablikið. Hringrás náttúrunnar getur verið slíkt haldreipi. Ferli ræktunar virðist í grunninn einfalt: fræ er sett í jörð, fær vatn og sólarljós, vex, ber ávöxt og myndar ný fræ. Ferlið endurtekur sig, en þó aldrei með nákvæmlega sama hætti. Ræktun felur jafnframt í sér mannlega nærveru. Að sá, vökva, hlúa að og fylgjast með einhverju vaxa kallar á alúð og umhyggju. Inn í hringrás gróðursins fléttast þannig tilfinningar, hugsanir og tími manneskjunnar.

ENLifeline and Reflections on InfinityYou are hereby invited to the opening of Kristín Reynisdóttir’s solo exhibition, “Lifelines and Reflections on Eternity,” in the Sculpture Garden on September 19th at 3pm where she presents her musings on form and eternity.In her work at the Sculpture Garden, Kristín reflects on the relationship between form, vegetation and infinity. The tangible, the earth, the seed, plant life and form, becomes a lifeline in the face of what the mind cannot grasp. Infinity is what the mind attempts to comprehend, while the lifeline connects us back to the tangible.The exhibition revolves around the concept of eternity, something that is difficult to comprehend. The mind struggles to conceive of time that has neither a beginning nor an end. Is eternity a line extending into infinity, or a cycle in which something comes into being, disappears and becomes the beginning of something new? Faced with the infinite, we need a lifeline – something to hold on to that connects us to the earth and to the present moment. The cycles of nature can provide such a lifeline. The process of cultivation appears simple at its core: a seed is planted in the earth, receives water and sunlight, grows, bears fruit and produces new seeds. The cycle repeats itself, yet never in precisely the same way. Cultivation also involves human presence. To sow, water, nurture and watch something grow requires care and attentiveness. In this way, human emotions, thoughts and time become intertwined with the cycles of plant life.


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Kristín Reynisdóttir, fædd 1961 í Reykjavík, hún hefur starfað að myndlist frá miðjum níunda áratugnum. Kristín stundaði nám við Myndlista- og handíðaskóla Íslands 1983–1987 og síðan við Staatliche Kunstakademie Düsseldorf 1987–1989. Hún hefur verið virkur þátttakandi í samsýningum og haldið einkasýningar bæði hér heima og erlendis, jafnframt hlotið ýmsa styrki og listamannalaun. Hún hefur einkum unnið með innsetningar og rýmisverk, þar sem staðurinn sjálfur, náttúran, minningar og mannleg upplifun verða hluti af verkinu.ENKristín Reynisdóttir (b. 1961, Reykjavík) has been active as a visual artist since the mid-1980s. She studied at the Icelandic College of Arts and Crafts from 1983 to 1987 and subsequently at the Staatliche Kunstakademie Düsseldorf from 1987 to 1989. She has actively participated in group exhibitions and held solo exhibitions both in Iceland and abroad, while also receiving various grants and artist stipends. Her work focuses primarily on installations and spatial art, in which the site itself, nature, memory, and human experience become integral parts of the work.
Nánari upplýsingar: kristinreynis.net

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